Welcome to the wormhole, a weekly Deep Voices email of recommendations, observations, and revelations. Consider these emails an exercise in music lover world building, just for for paid subscribers. Subscribe below to support Deep Voices and access these weekly dispatches.
This week: A bad Tik-Tok, a great email, and a big a-ha moment.
The music of Babygirl. Some thoughts, no spoilers: I thought the INXS song was Blue Nile. / “Father Figure” by George Michael is an all-timer, sounded huge during a montage sex scene but it felt misused—who is the father figure? / The rave scene was stupid and funny and the song they played felt like a parody of what would be played at a night like that more than what actually would be played at a night like that. / I loved the main theme, with the heavy panting, “Wolves,” which my wife and I thought sounded quite a bit like the “White Lotus” theme. Turns out they were made by the same guy, Cristobal Tapia de Veer. He’s got a thing; it works.
Music from the Cloisters. I ran into two friends at a coffee shop when they were comparing their Spotify Wrapped. His top artists were Taylor Swift and Arthur Russell. Pretty standard dude-living-in-Brooklyn stuff. Hers were all choral artists, a full slate of Renaissance vocal music.